I’m not sure what the standard is anymore.

It felt a long time to get here and we’ve just begun, yet we seem ready to throw it to the wind.

48 × 36 inches

acrylic, charcoal on canvas

36 × 36 inches

acrylic, cultivated rust on canvas

this piece is a coming together of quick and slow:

flower thrown as a signature—a quick scrawl straight from the tube

a 14-month rust project utilizing a foraged cast iron kettle lid, acrylic, and weathering. in the wind, the array was flung. gravity and windward/ leewardliness made their choices from there.

In the cold of things, the thick solution laid out and shaken—a martini for winter. a pond for a few days, until the only thing left was the water’s footprints.

30 × 40 inches

phase-changed acrylic dilution on canvas

40 × 30 inches

acrylic dilution, snowfall on canvas

The day-night cycles of snow, melt, and freeze brought structure to a collection of acrylic throws which would have otherwise muddied themselves on this canvas. A mixture of metallic and non-metallic acrylics offers dynamic response to lighting.

so much

goes on in this world.

48 × 36 inches; (2) 36 × 48 inches

acrylic, ash, charcoal, nail on canvas

36 × 36 inch

dried Valentine flower, duct tape, acrylic emulsion, charcoal on canvas

48 × 36 inches

acrylic, quick charcoal, oil soap on canvas

mirrors are strange.